Let the reader choreograph your fight scene. Fights are About Character and Emotion It is rarely a good idea to start a story with a battle. Hovering around the fight describing the actions of both characters sets a limitation on how gripping the experience can be.
It could be desperation, humiliation, malice, grace, beauty, loyalty, betrayal, and so many other things. The first version is more technically explicit. Avoid complete, correct, thoughtful sentences and lengthy discussions among characters.
Short, simple sentences keep the reader on their toes. No matter at what point they occur in a story, fight scenes are like blocks of C-4 plastic explosive. Every time a new person takes an action in this passage, Goldman starts a new line, making the reader encounter each attack as a sudden, vital event.
Evan Hunter wrote fantastically brutal fight scenes by stating a simple, physical act and then following it up with evocative sensory information: Is it to reveal character? A character is thrust into high-stakes, physical drama a gunfight, a daring rescue, a desperate writing action scenes fighting that changes her in some important way, and moves the action forward.
She looked to her right. At other times, it can writing action scenes fighting brutally effective to draw back and take in the violence at a remove, giving it the stark impact of a war photograph. I asked Jodie to put together some thoughts and tips for writing action scenes.
In situations of extreme stress, time seems to slow down. His facial expression changed from one showing loathing to one communicating unrestrained joy.
McDonald mimics this experience for the reader by having longer passages between the single sentences of violence: He grunted and fell against the stack of wooden crates.
Subscribe to our FREE email newsletter and download free character development worksheets! He scrambled up, rubbing his arm, eyes full of hate. Action scenes serve the same function in your fiction, but they need not be over-the-top to be effective.
Write the action sequence with a focus on that goal. An animal snarl clawed its way up his throat. Television and movies have taught us that writing action scenes fighting choreography of a fight is the important thing, but different mediums call for different tricks.
The pace is so non-stop, the skill and commitment of both characters so well-written, that the reader imagines every thrust and parry and accepts them as expert. Use the most concrete, suggestive nouns and the most powerful, evocative verbs you can find.
Used properly, they rivet attention and propel your story forward. If details need explaining, fit that in somehow before the tense scene starts.
Avoid long, involved thought processes, which deflate tension and slow things down. His expression changed from loathing to amusement.
Then he was burying punches, over and over again. They embrace guttural simplicity to communicate that same quality in the action, but this trick only works once before you start sounding like a caveman.
It says something about the fighters. There are a few exceptions. If your story is unaffected by the outcome of the fight, then your fight scene is unnecessary.
How could David have done this to him? Fortunately for Jennifer, the attacker was far enough away that when he attempted to grab her she sidestepped him and delivered a sharp kick to the outside of his left knee.
Are you working on a fight scene now, or have you just finished writing a fight scene? That description, from his short story collection Barking at Butterfliesadds more physicality to the encounter than any physical description could. Use your skill as a writer to evoke those notes.
She searched for the exit door. Josh shot a look back at Amy as he grabbed her arm and pulled her bodily to the edge of the street out of the path of the oncoming skater. Not everyone has been held up by the collar, but everyone has heard fabric tear and tasted their own blood after an accident.25 thoughts on “ Writing Tense Action Scenes ” Bonnee Crawford on November 28, at am said: These are some good tips to keep in mind and I can see by the examples how effective following those rules can be.
Think “action scene,” and you probably think of the Hollywood version: A character is thrust into high-stakes, physical drama (a gunfight, a daring rescue, a desperate escape) that changes her in some important way, and moves the action forward. Writing Fight Scenes: Professional Techniques for Fiction Authors (Writer's Craft Book 1) - Kindle edition by Rayne Hall.
Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Writing Fight Scenes: Professional Techniques for Fiction Authors (Writer's Craft Book 1)/5().
Aug 24, · Expert Reviewed.
How to Write Fight Scenes. Three Parts: Preparing to Write the Scene Writing a First Draft Sample Fight Scenes Community Q&A Fight scenes can be tricky territory for writers.
A good fight scene should be action packed and should not slow down the drama of the story as a whole. Keep your fight scenes engaging by making the action hard, fast, and packed with just enough detail%(37). The rule of thumb is that the form of action writing should match its content – if the fighting is meant to be fast-paced and violent, the writing should be staccato.
It’s therefore fine to write detailed, cerebral action, but that’s likely to then be the way the reader experiences it. I came to the realization last year that I didn't really know much about writing action or fight scenes.
I knew some basic things like how you should keep your sentences short and use words with few syllables (because that gives the scene a fast pace), how you need to make sure your action sequence is realistic, and how you shouldn't give a blow-by-blow description because that gets boring.Download